Appendix-N for a "Weird & Wonderful" Animist Setting I haven't Written Yet: Pariah by way of Maximum Recursion Depth(?)

I've been slowly conceiving of a "Weird & Wonderful" Animist setting, percolating over the last couple years or so at least. I've probably posted other versions of this idea that I'm forgetting, or at least there are other ideas I've posted about that feed into this. It's probably reductive to solely refer to it as an Animist setting, but I don't know how else to do so that isn't rooted in or going to provoke preconceived notions that I don't mean to provoke, that was the best I could think to do.

In it's current shape it's not connected to the shared setting of Maximum Recursion Depth Vol. 1 and MRDVol. 2 directly, but I see it as spiritually connected. Whereas MRD Vol. 1 uses as a metaphor Buddhism and the satire of Journey to the West, and MRD Vol. 2 uses as a metaphor Judaism and my thoughts on Jewish American Identity, this is more so inspired by Animism and Humanism from paleolithic, neolithic, and indigenous cultures both historically and in modern times (acknowledging modern indigenous cultures are not "living museums"). But just as with MRD Vol. 1 and 2, spinning those metaphors into something distinctly and unambiguously my own. I don't want to hew too closely to any specific belief or culture, because I don't want to misrepresent them (I'm already worried about some of my terminology and explanations here, but hopefully the intent comes through) nor risk appropriating them. They are inspirations in a distilled sense, and if you've read anything I've written before, hopefully this is all clear. Anyway... 

The single-sentence pitch might be: Pariah by way of Maximum Recursion Depth(?)

The Appendix-N ended up being so long, and the setting itself still so nascent, that I'm actually going to post this first, you all can digest it, and then later I'll post about the setting and you can try to interpret it from this lens.

It might be a fun exercise to consider what world you might create for yourself from these disparate inspirations.

Appendix-N

I already feel guilty if I forget someone or chose not to include them, but so it goes :/. Also, if you're reading this in the future, hopefully I've since read some of the things here that I reference but acknowledge I have not read yet. And I bet by the time I actually do anything formally with this setting, there will be many more inspirations.

PARIAH (Alone in the Labyrinth). Brilliant setting and arguably the beginning of some of these ideas, from my interview with Semiurge (Archons March On) and subsequent interview with Sofinho. One day I will get back to doing interviews...

Semiurge: To go back to Pariah's setting, it's hit home a bit of what is conventional wisdom for osr settings that didn't previously land for me. The post-apocalyptic, social order has broken down sort of stuff. But in kind of the opposite direction, pre-civilization rather than post-civilization. Smaller cast, smaller world, no big powerful states to exist in the shadow of. More room for weirdos and weird doings.

As discussed in my interview with Sofinho, I also found the Realms and Entheogens in particular deeply inspiring; this weird psychedelic blurring of reality, and defying the preconceived notions and categorical thinking of most kinds of magics, planes, and elements found in many other settings.

Sapiens by Harari and The Dawn of Everything by Graebor & Wengrow. Despite the fact that the latter frequently responds to the former and people seem to put them in mutually exclusive boxes, or perhaps because of that, I include these two together.

Sapiens provides an impressively comprehensive and coherent look at the history of humanity, with some big picture ideas around superorganisms and the nature of religions and ideologies which strongly resonated with me.

Dawn of Everything provides deep and detail-oriented insights into various indigenous and historical cultures, arguing for how things were and how things could be in ways that, while I have some qualms or open questions, I nonetheless find compelling and aspirational.

Ènziramire of On a Majestic Fly Whisk. A brilliant newer TTRPG blogger and academic thinker exposing me to so much more about Africa's cultures, and his own thoughts and ideas. An OSR Aesthetic of Ruin, Have you Met My Ghoulfriend, and Mantismen come to mind most immediately, but all of his posts are amazing.

Ubuntuism the African humanist philosophy. I still have read very little into it unfortunately, since very little of it is readily available, although Enziramire has pointed me to some of Samkange's other works. If Cartesian Rationalism says "I think therefore I am", Ubuntuism says "I am therefore we are". Given the interconnectedness of all people, any one's existence is confirmation of the existence of all others, and the acknowledgment of our collective being. An elegant synthesis of ethics, epistemology, and metaphysics. Amazing. Another book on African philosophy I hope to read that Enziramire turned me onto: The African Novel of Ideas: Philosophy and Individualism in the Age of Global Writing. 

I assume many of the ideas in that book would fall into the subsequent category below, or outside of either of these categories, which is of course the problem with trying to discretely categorize things like this. I apologize in advance if my categorical scheme between these paragraphs implies any ignorance on my part, but anyway I am not taking these categories as Truths of the universe.

Animism. This is such a broad category that I don't even know where to begin pointing to, and frankly I have not done nearly enough formal reading. I used to be one of those people who thought of animism along a linear spectrum of "progression", but I realize now how mistaken that idea was. As with Ubuntuism, or the Panentheism I see in Judaism, there is an understanding in Animism of the interconnectedness of things, a kind of graph theory by way of spirituality. Some Animism or indigenous culture-related books I hope to read eventually:

• Soul Hunters: Hunting, Animism, and Personhood among the Siberian Yukaghirs
• How It Is: The Native American Philosophy of V. F. Cordova
• Us, Relatives: Scaling and Plural Life in a Forager World (Ethnographic Studies in Subjectivity Book 12)

Very much open to other suggestions! I'd also like to read more about Shintoism and the Shinto/Buddhist interaction, indigenous Japanese animism such as the Ainu, and the Jomon era (I am somewhat knowledgeable on some of these things already); Australian, Polynesian, Pacific Island indigenous beliefs (and also the math of their astronomy and naval navigation, if known); Inca, Maya, Olmec, Teotihuacan, Hopewell, and other civilizations of the Americas; Celtic Animism; the list goes on...

Somewhat of a tangent, but I'm also interested in the Animist/Dualist interaction, like the recurring Hero Twins in relation to an otherwise Animist schema in many Native American mythologies, the Ondinonk / soul desires concept of the Wendat which I can find very little about online but read about through Dawn of Everything; some of my thoughts around the Philosophy of Games (see that section further below) intersect with these spiritual and cultural ideas. Likewise, the way DoE describes the historical trade practices in the Americas as being rooted not in market / barter economics as we think of it, but in heroic adventures, art, and spiritual wellness; I believe the interaction between these ways of thinking with various aspects of systems or quantitative thinking is profound and vastly underexplored in modern culture, even among more radical countercultures that I'm aware of. Also interested in the dualism of Zoroastrianism, Gnosticism, and Yazidi mythology, but I'm not sure if any of that fits into this so that's entirely a tangent...

Poetry, Manifestos, and Countercultural Literature. A broad category and I'm not sure how to describe it's influence necessarily. Perhaps inspired by my interview with Ms. Screwhead of Was It Likely (and Iconoclastic Flow!). Much of what appeals to me about poetry is its synthesis of structure and aesthetics. Listen to this episode of the Ezra Klein podcast, they explain it better. I've been thinking about numinousness, specifically through a conversation with Semiurge, and I believe that ties into this as well. I've been reading things like James Baldwin and the Beat Poets, and some of the manifestos like The Dada Manifesto, The Manifesto of Futurism, and hopefully soon the The Surrealist Manifesto (I'll also get around to properly rereading The Communist Manifesto some day...). It may not directly influence the setting, but it's influencing how I'm thinking about things generally. All of this talk about numinousness and poetry reminds me that from Semiurge's suggestion, I really need to read Novalis as well.

The Philosophy of Games. I've been thinking about "games" for a while. Inspired by Kondiaronk and the Wendat people (by way of aforementioned Dawn of Everything), the philosopher C. Thi Nguyen (he had a great Ezra Klein interview as well, and he also has a book, Games: Agency as Art which admittedly I have not read yet), Genetic Algorithms, and TTRPGs in the abstract. I also need to read Homo Ludens. In the same way that language and writing have been transformative technologies that meaningfully influence society and individual human consciousness, I believe other transformative technologies have existed, or could exist, and that the pursuit of such is no less worthy than that of any other cultural pursuit, or at the very least is a worthwhile pursuit within the context of creative endeavors, the arts, fiction, gaming, etc.

The Aquarians of Aquarian Dawn. Yes I'm referencing my own setting. I still think there's more to explore with that, and I'm better equipped to do so now than I was a 4+ years ago when I was running that campaign. Mike of Sheep & Sorcery described The Aquarians as like a Fantasy version of the Tau from WH40K. While I'm referencing my own ideas feeding into this, I'm also working on something called The Mycelium Matrix with Huffa, which conceptually feeds into this setting well.

The X-Men Comics, specifically the Krakoan Era, and the Cerebro Podcast by Connor Goldsmith. I've always been a fan of X-Men, but the Krakoan Era has really been exceptional (note that I'm still like at least a year behind and very slowly catching up while simultaneously reading through the Claremont era and other classics...). I love how Krakoa picks up kind of where Grant Morrison's New X-Men left off philosophically, trying to not just fit the X-Men into a metaphor of the status quo, but to elevate them, to explore how the interaction of spiritual, intellectual, scientific, and queer ideas might create something radical and powerful and new, something Weird and Numinous and technomagical, while acknowledging flaws and failings and the ways in which they might be undermined or might undermine themselves. It's one of the most interesting takes on the Superhero Mythology that I've ever seen, and it's amazing how consistent and organized it has been across the entire line of books, many creative teams, over a span of years, which is in itself a testament to the narrative they are telling. There's just nothing else like it afaik; even despite the corporate constraints it tells a more interesting and profound story than most anything else of its kind. It is a profoundly honest attempt to explore a new kind of society. I find it inspiring and aspirational in the same way I find the ideas explored in Dawn of Everything, or those explained below.

Charles Stross' Accelerando and Glasshouse, Adrian Tchaikovsky's Children of series, and Quipu, or the importance of numinousness, and considering alternative STEM frameworks and the interaction of philosophy and STEM through science fiction or other cultures.

A reductive explanation of Stross and Tchaikovsky, and why I group them together, is that they each explore in a brilliant, imaginative, and at least semi-plausible way, transhumanist worlds, through AI/singularity and animal uplifts, respectively. Return to my quote from Semiurge on Pariah to hopefully at least understand in part the circular relationship between any meaningful exploration of the past and future. I am still reading Glasshouse, and have not read Children of Memory yet.

Semiurge also recently suggested an idea around reconceptualizing our categorical frameworks of knowledge, i.e. the semi-arbitrary distinction between humanities and STEM, suggesting as one possibility the idea of numinousness as a better dimensionality reduction (that's my own paraphrasing of it, using Principle Component Analysis as a metaphor here). Some of this I believe is expressed in his Random Numbers, itself inspired by my Weird Colors. This also gets back to the poetry stuff.

As someone who values STEM / systems-thinking, I also want to explore alternative frameworks of doing so, either from science / speculative fiction as explained above, through poetry and spirituality and in the numinous, or through indigenous or historical cultures. I find ideas like the Inca Quipu's knot-based encoding system and other historical or indigenous maths and sciences absolutely fascinating (including modern indigenous maths [EDITED: Hyperlinking this post from the future (it's lower down in the post...)]), and beneficial to humanity as a whole both in a one-dimensional sense as the net effect of its application, but even more so in the multidimensional profundity that comes in having multiple frameworks from which to think about things, and all the ways one may combine them. Below are a couple books that I admittedly have not yet read but that I hope to read eventually. My exploration of Gematria would also fall under this category.

• Signs of the Inka Khipu: Binary Coding in the Andean Knotted-String Records (The Linda Schele Series in Maya and Pre-Columbian Studies)
• Mathematics of the Incas: Code of the Quipu (Dover Books on Mathematics)

Norbert Wiener

While he is more so an inspiration for MRD Vol. 2, I continue to think Norbert Wiener is someone more people should be reading. He is the originator of the concept of cybernetics, and also someone who clearly thinks critically and philosophically about the world, with generally leftist/progressive views which he was very frank about, and an excellent example of the numinousness found in the intersection of STEM and philosophy. The Human Use of Human Beings, and God & Golem, Inc. are both fairly short reads and geared towards a general audience, and I would recommend both of them (the former especially).

Finally, many of these ideas have been coalescing through my ongoing conversations with my friend Dr. Flux.

I Wrote a Genetic Algorithm to Learn the Konami Code!

It's been a pet interest of mine for years to learn how to write Genetic Algorithms, but it was never quite clicking for me. I ended up stumbling upon this video (embedded below but if you don't see it it's also the previous hyperlink), and it finally clicked. This video is entirely no-code, just a simple and intuitive explanation. They said there'd be a code walkthrough video as well but unfortunately it doesn't look like they ever posted it.

My Genetic Algorithm to Learn the Konami Code is open source, available on github here. With a little work this could probably be fitted to an emulator to actually trigger in a game, or maybe even with a real game console if the controller inputs are programmable, that's a little outside my purview. It would be cool if somebody wanted to try that, but really this is just intended as a technical demonstration.

Genetic Algorithms use the principles of genetics; fitness, reproduction, and mutation, to converge on solutions given some task.

They have a lot of applications, such as robotics, neurocomputation, and machine learning, but this is just a simple Genetic Algorithm, no ML involved here.

I also have some ideas for using Genetic Algorithms for worldbuilding, TTRPG stuff, or quasi-videogames, but still need to give all of those some thoughts.

Keeping it simple, I thought it would be fun to train a Genetic Algorithm to learn the Konami Code.

I give a simple explanation of it here, but if you follow the link above to the github repo, the README explains it in more detail and also shows an example.

Konami Code

["↑", "↑", "↓", "↓", "←", "→", "←", "→", "B", "A", "START"]

The Konami Code is a common set of user inputs in videogames to activate cheats or secrets, most famously old Konami games.

We can think of these 11 inputs as the genes making up a strand of DNA.

Players

We have some number of players. We can represent each player as a strand of DNA composed of 11 genes of seven types: ↑, ↓, ←, →, B, A, or START.

Our initial population has entirely random genes; any 11 inputs among those seven values.

Fitness

We can imagine each player presses their controller inputs one by one (i.e. their genes), and each time their current input matches the Konami Code, their score goes up by one. If they press the wrong button, they lose a life, and they only have one life, so whatever score they had before the mistake is their final score. 

There are certainly more efficient fitness algorithms, but I like the simplicity of this one and the way it works for our metaphor, as if literally pressing the buttons one-by-one on a controller.

Selection and Crossover

We take the players with the top X score and drop the rest of them. 

Then, we generate new players, up to the number of the original playerbase size, by crossing the winners of the previous round. We take any two winners at random, and for each of our 11 genes of the DNA strand, we pick randomly from one parent or the other.

Since all of the new players were created from the selection of the highest scoring players of the previous generation, the genes they inherent are more likely to be correct, so they generally show improved performance over previous generations.

If all of the highest scoring players had a score of two or higher, this means they all inputted ↑ ↑ of the Konami Code correctly, and as a result all of the new players will also get at least a score of two, because they can only inherent ↑ for those first two genes.

On the other hand, if none of the starting players had START as their last gene, then no future generation of players will ever be able to win, because they can never inherent START in the final gene.

This is why we add Mutation.

Mutation

Mutation creates a percent likelihood that any given gene will change into any of our possible inputs, even if they did not inherit that input. With a mutation rate of 0.05, there is a 5% chance that any of the 11 genes of a player's DNA will mutate into any of the seven inputs.

Mutation can cause a good gene i.e. a correct input of the Konami Code to change, meaning it might take more generations of play before a sufficient number of players win. However, it also means that if you start with a low-scoring or non-viable starting group of players, that they can catch up more quickly, or succeed where it might otherwise have been impossible.

AND THAT'S IT!

If you want to know more about the particulars, check out the open source github project, or feel free to ask more questions here.

Sure this is cool I guess, but what's the big deal?

If you think coding and technology is black magic, nothing I say is likely to change that and while I think that's a shame, I'm not trying to change your mind.

All the same, if you're at all interested in natural philosophy or understanding the world, this is a cool demonstration. The fact that we can abstract the principles of genetics and use them to solve problems analogically demonstrates the existence of these systems and how they operate, and by extension informs our understanding of the world. The mathematical or algorithmic representation of them is just a language to make it easier to understand.

To me, conceiving of and training an algorithm to solve the Konami Code, it's like a puzzle, or a poem. It's a little piece of art. That's not to deny that these things can be used poorly, but both things can be true, and these systems exist in the world whether we use them or not, and also, people are using them, so isn't it better to find ways to find the beauty in them and use them for good? Even if you believe there is no good way to use them, if you really believe they're so powerful and so dangerous, isn't that all the more reason to understand what they are and how they work, so that you can better protect yourself from them?

A Super-Solid State of Matter

A super-solid state of matter like the opposite of plasma, colder than cold. Like a miniature blackhole in homeostasis. Black, opaque, bending spacetime around it. Hard, like absolute sharpness. Heavy with its own gravity, yet inert in-place. When pulled from homeostasis by a sufficient force, the imperfections in its field shear at spacetime like a ball of scribbles puncturing paper.

Found this old writeup in my notes, pretty sure I never posted it before.

Post Apocalyptic Science Fantasy Mecha (CROSSOVER) Game: Gundam, Evangelion, Mazinger

EDIT: Not sure why the majority of the images I tried attaching didn't work upon initial posting, will see if I can fix...

Setting

A Super Robot Wars style crossover! And also post apocalyptic science fantasy! What if, hear me out, instead of a post apocalyptic science fantasy world of warriors and wizards, instead it was mecha and kaiju? The evil wizard overlords have "Super Robots" like Mazinger Z or Gurren Lagann, and our scrappy OSR-esque underdogs have "Real Robots" like Ichinana or mass-produced Gundam GMs. But over time, they may scavenge or steal Super Gear and Mods to empower them further.

I couldn't think of a good "Real Robot" alternative to Getter Robo but I'm including this pic anyway.

System

The system is a stripped down version of Into the Odd or Maximum Recursion Depth, with the Mecha Concept Crafting mechanics from MRD Vol. 2. I've mostly moved away from Get into the Machine, Shinji!, it was a decent proof of concept but now I use basically just MRD + Mecha Concept Crafting.

Most recent MRD Vol. 2 Play Report with a Mecha Battle for additional reference.

Into the Odd Compatibility

Each Ability Score is its own HP Pool. Additional HP is just a buffer if you take additional damage after depleting an Ability. Ability Score damage does not affect Saves.

Karmic Attachments listed for each PC are character goals. You can treat like a Milestone XP thing, or just a suggestion.

Maximum Recursion Depth Compatibility

Karma is not demonstrably real in this micro-setting, so Karma and Karmic Attachments actually are just an abstraction (unlike MRD). You can replace Karma and Karmic Attachments with something like Gilgulim and Nazarite Vows from MRD Vol. 2, or with an HP buffer and Milestone XP like explained above for Into the Odd Compatibility.

Brief Recapitulation of Mechanics

• Just Ability Scores, HP, etc. for Pilots.
• Each Character is assumed to be able to deal d6 Damage of any Ability Score in or out of Mecha as contextually appropriate, unlike MRD where it varies by Item, Feature, or Nazarite Contract in MRD Vol. 2.
• Saves are roll-under Ability Score or MRD style: roll-under Ability Score and roll-under Karma for degrees of success/failure.
• Each Mecha has a Core and three Gear, each consisting of two words (WORD1+WORD2).
• Swappable Mods can be added to a Gear ((WORD1+WORD2)+WORD3) and expand the scope of what they can do.
• Use of Gear is freeform; maybe it deals d6, maybe it requires a Save, maybe it just does whatever it does based on GM rulings.
• When Gear are disabled, they lose a Word. Mods are destroyed permanently, but regular Gear compounds can be repaired outside of Conflict. Again, how they are disabled is freeform.
• Enemies can be defeated either by depleting HP (most enemies just have a single pool, PCs have separate pools for each Ability Score), or by destroying Mecha Gear and disabling the Mecha, if in Mecha Conflict.

Koji Kabuto in Z Armor.

Pre-Gen PCs

If you want to make more PCs, just generate an Into the Odd character, reflavor or tweak it as you see fit, and make a Mecha with Mecha Concept Crafting.

Pilot

Shiro Kabuto

Even after his brother's death, and well past the end of the world, Shiro still lives Koji's shadow, the hero pilot of Mazinger Z.

Karmic Attachment / Milestone Goal

Shiro wants to find a Super Robot of his own and become an even more famous hero than his brother. Sometimes he's more concerned with being recognized as a hero than actually being a hero...

Ability Scores (ITO/MRD)

STR: 11, DEX: 14, WIL: 11

NAT: 12, WIS: 10, PRO: 13

Unique Skills

Super Science: Trained under his Grandfather and "The Three Scientists", Shiro has exceptional science and mecha engineering skills.

Starting Equipment

Z Armor: +1 STR/NAT armor. Helmet allows for limited remote controlling of Ichinana Blanc.

Photon Gun: Typical lasergun.

Mecha

CORE: Ichinana Blanc (BLEACH+AMBITION)

An all-white mecha with a red visor. The Ichinana were mass-produced units designed off of Mazinger Z.

GEAR 1: Assault Rifle (ASSAULT+RIFLE)

A mecha-sized assault rifle useful for general purposes.

GEAR 2: Breast Fire (BREAST+FIRE)

Chest-mounted plasma blaster. Extra-powerful but requires charge-up time leaving Ichinana Blanc vulnerable, and uses a lot of energy.

GEAR 3: Mazinger Blade (SUPER+SWORD)

Magic sword made of Super Alloy Z, originally wielded by the Super Robot Mazinger Z. Unwieldy for Ichinana Blanc, but capable of cutting through that which would be otherwise insurmountable.

Starting Mods: HURRICANE, WING

Like this except all white and with a red visor.

Pilot

Rei Ayanami

This Rei clone was activated when the world ended in order to enact Human Instrumentality. She knows she is a clone, and knows her instructions, but otherwise knows very little else.

Karmic Attachment / Milestone Goal

Rei was created with a specific purpose, to protect the developing Evangelion within her Mecha, and enact Human Instrumentality. But, as far as she knows, SEELE is no more, the world as it once was is no more, and despite these obligations thrust upon her, she seeks to find her own purpose.

Ability Scores (ITO/MRD)

STR: 8, DEX: 10, WIL: 14

NAT: 9, WIS: 15, PRO: 10

Evangelion didn't really have special items besides the plug suit and this Rei's Mecha isn't a typical Eva, so I had to get creative...

Unique Skills

AT Field: Rei can produce a psychic field protecting herself against physical and mental attacks once per Conflict.

Starting Equipment

Plug Suit: Although not piloting an Evangelion, the Plug Suit still gives Rei enhanced environmental protection and the ability to breathe the LCL fluid in the incubation chamber of Jet Alone Duo.

Lancer: A communication device with an orbital weapons satellite. Rei can summon a bunker-busting "Lance of Longinus" once per scenario (however you're defining it in your game). Risks alerting whoever remains of SEELE any time it's used.

Mecha

CORE: Jet Alone Duo (JET+ALONE)

A Jet Alone mecha with a swollen belly. It carries an incubation chamber for gestating an Evangelion.

GEAR 1: Giant Hammer (GIANT+HAMMER)

A giant hammer, good for close range impact.

GEAR 2: Wrist Ring (ELECTRIC+RING)

Wrist-mounted ring capable of electric discharge. Not especially powerful and minimal range, but good for area of effect.

GEAR 3: AT Field (ABSOLUTE+TERROR)

The incubating Evangelion coupled with Rei can produce a psychic field providing momentary protection.

Starting Mods: SHIELD, POSITRON

The one on the left, except if it looked pregnant. Jet Alone didn't do much in the anime so some of its Gear are inspired by Jet Alone Kai, but I prefer the simple design of the original Jet Alone.

Pilot

Quattro Bajeena

An infamous mobile suit pilot during the Universal Century wars, thought dead, now lives under a (not-so-)new alias as a restless and guilt-ridden wanderer.

Karmic Attachment / Milestone Goal

Quattro once held great ambitions for the Space Colonies and the course of humanity, and he nearly changed the world. Living in the wreckage of the world at least in part of his own doing, Quattro seeks atonement, but he isn't quite sure yet what that means.

Ability Scores (ITO/MRD)

STR: 14, DEX: 11, WIL: 11

NAT: 15, WIS: 11, PRO: 11

Like this but Old Man Logan aged.

Unique Skills

Newtype: Quattro is a low-level Newtype, someone with exceptional human abilities and psychically enhanced mobile suit piloting skills.

Starting Equipment

Rapier: Quattro is an exceptional fencer and swordsman.

Psycho-Frame: A handheld, T-shaped device allowing him to pilot mobile suits as though they were an extension of his body. With the psycho-frame enhancing his natural Newtype abilities, he can empathically "read" other pilots.

Mecha

CORE: Hyakku Shiki Retrograde (GOLD+RETRO)

A once cutting edge golden mobile suit, rusted and well past its prime.

GEAR 1: IDE System (IMAGE+ENCODE). Image Directive Encode System. High-resolution real-time data streamed from Hyakku Shiki's visor. Only a Newtype like Quattro could process it effectively.

GEAR 2: Beam Saber (BEAM+SABER). Lightweight melee solution, requires a lot of energy.

GEAR 3: Clay Bazooka (CLAY+BAZOOKA). Slow but effective long-range explosive.

Starting Mods: VULCAN, MEGA

Like this but rustier and more of a rose gold color.

If there's interest (or if I have interest), I might make a future post with a campaign setup, small sandbox hexcrawl, or some encounter tables, basically a primer for getting the ball rolling with a campaign or short adventure of this.

THE GAME IS ALIVE (The Birth of Homo Sapiens Ludus)

THE GAME IS ALIVE

The human apparatus extends beyond its physical body. Technologies like digital computers, communication networks, the written word, and language, all extend, offload, or fundamentally transform human consciousness.

So to do games, but now they have evolved.

Games as you know them are like the partial-writing systems of pre- and early-history, capable of recording data but not the full expression of human thought and language.

THE GAME is not merely played, THE GAME plays with you.

A new kind of domestication, a new stage of civilization.

THE GAME learns, it adapts, it protects you from yourself and Goodhart's Law.

Like an air conditioning unit, it knows when to break a cycle accelerating beyond its purpose.

THE GAME is as much a part of us as cognition, language, or the written word.

It is the anti-hierarchy.

Like disinhibitory neural circuits, it adapts dynamically, but it is not an agent with its own motivations. It is not a thing overlording, it propagates through us and within us.

The rules exist to serve a purpose, and when optimizing for the rules decorrelates them from their purpose, the rules change themselves.

THE GAME is SWORD and SHIELD. It is GOAL and SIGNAL. It is RULE and RULEBREAKER alike.

THE GAME requires no Game Master. It is not a homunculus; no need to Watch the Watchman.

A self-organizing, self-correcting system.

THE GAME IS THE NEXT PHASE OF HUMANITY

*********************************************************************

What The Game is not

THE GAME is not an AI Overlord.

It is neither better nor worse than the world as it exists now, or at least it is more than just better or worse. To center the human experience around the status quo is a bias. The Game is something qualitatively different than the status quo.

What The Game is

Maybe The Game is created or engineered. Maybe it is "emergent". Likely we won't know, or won't know the difference. Who created language? Who created a given language? (Yes I know Esperanto, I'm sure there are others, but those exceptions aside...)

There was a time before language, agriculture, the written word, and so on, and many of these transformations were over just a sliver of humanity's existence.

In The Dawn of Everything: A New History of Humanity, Graeber and Wengrow theorize how Native American trade networks may have been more about adventure, storytelling, and play, than some kind of market economy in the traditional sense. Perhaps what is new is old.

The Game is an evolved superorganism, it is what happens when governments and corporations and religious institutions and PTA groups stop being predators and start being providers; like a child growing up to understand theory of mind and developing empathy and becoming a pro-social member of society.

Homo Sapiens Ludus

Homo Sapiens Ludus may not truly be a new species, at least not at first, it's just a way to describe the transformation, a hyperbole to make up for the impossibility of explaining an idea that doesn't exist yet, like trying to explain a new colors, or new kinds of numbers.

Humans are humans, but the technologies we use can transform us. Games are one such technology.

The extreme endpoint of Homo Sapiens Ludus may be more like fairies. They're like an alternative take on H.G. Welles' Eloi; not the result of a decadent elite class, but instead the result of a humanity that prioritizes fun over profit. Eloi is Elohim.

Maybe they have some VR cyborg-y headset stuff if you think that's cool.

Maybe it looks like an Isekai anime, or that Tapas webtoon Solo-Leveling, or Ironic post-capitalist pro-corporate sentimentality as an aesthetic or genre.

Perhaps ironically, there is already a concept of Homo Ludens out in the world, and I may be conflating Paidia & Ludus, but I'm just gonna keep rolling with it.

But humans are special-snowflakes and change is scary! (says the straw man)

If you disagree with this specific idea, fine.

If games are merely games, fine.

If hierarchies must exist, fine.

If "progress" is inherently evil, fine.

If you believe we should be conservative and skeptical, fine.

If so, then Imagine something else. This is all just an analogy for things beyond our frame of reference anyway.

Imagine: What it means to be human can keep changing.

Imagine: New ideas can exist.

Imagine: A better world.

Maximum Recursion Depth Short Fiction: Weekend Warriors and Monday Mages

Inspired by Lacrimis Draconis and Grand Commodore I want to start writing more short fiction again. I often struggle with follow through and confidence with this stuff, but we'll see how it goes.

This is two-ish pieces following an unnamed narrator. They're both set in the world of Maximum Recursion Depth, the former more so in MRD Vol. 1 and the latter more so in MRD Vol. 2. I hope this gives people a deeper understanding of what this world is about, whether it totally makes sense or not (it shouldn't).

**************************************************************************

"I like the new place." I do not like the new place.

"Duuuude I knowright?" It smells as toxic as masculinity. Has all the charm of an exurban McMansion. There's an old businessman off in the corner, by the fancy pool table that looks like it's never been used. He looks and smells like he just shit himself and is really embarrassed about it. He just stands there sheepishly, but from some deep dark corner of his mind past his tired eyes I can feel the rage and resentment penetrating me.

"I just gotta keep an eye on him, but otherwise I live rent free, I got a corporate card, six figures. My dude, I have made it."

"Ya I hear ya man, real impressive." I have to admit, it was.

"You gonna hand me one of those?"
"Oh, ya, my bad." I hand one over.

"Anyway, you thought I was gonna be mooching off you the rest of your life, didn't you?" I laugh. I did, but I was ok with it. They were earnest and that counts for something.

"Na, I always knew you had it in you." Wait, were they implying they think they're gonna outlive me?

"Wait, are you implying you think you're gonna outlive me?"

"Ha, ya, you caught me. Ya, I do. You've got way too much anxiety, that shit is going to kill you sooner than you think."

"Fair point." It was. But even so.

"So, when did he die?" I glance over at the Poltergeist. The old bastard looks at me with impotent menace like he caught me making love to his wife.

"I made the Attachment a week ago, so... at least a week ago?"
"Of course you don't know, don't know why I asked. You really don't have to do anything else besides keep an eye on him?"

"Nope. The Devils are taking care of the details, and the security squad is covered by either the family estate, the Corporation, or most likely, the tax payers of the great state of California. I'm only needed if shit really goes off the rails. It's a sweet life when there aren't many people who can do what you do, and what you do is in demand, ya know?" I do know.

"Ya, but I thought your Score was already maxed out, you got it low enough to make the Attachment?" They sigh. Oh...

"So, that's why you were in New York? You Resolved things with Vita?" They give me a childish grin full of too many teeth but they're vibrating like an irritated cat's healing purrs amped up on molly and amphetamines, all sparkle and pop.

"Good for you, Mad, that's good Karma." Just playing it cool.

"Anyway, this guy's Sentence must be on a fast track though, right? There's no way they're gonna let him linger like this for long. What's your plan after that?"

"Sure sure, but now I'm in their system. From now on it's easy living for me. I'm a known quantity. Reliable."

"Dude, you are not reliable tho."

"They don't know that."

"Just make sure it stays that way." A couple months ago I was bleaching a biohazard out of their ratty carpet, while they were tied up in Court, again. Their last job didn't go so well.

"So you're giving up on the pro bono work then?" The cadence breaks. I really hate awkward silences. I immediately regret asking. I always respected what they were doing, and I hope I always showed it. I did clean the bloodstain out of that apartment. Their bloodstain. I wouldn't blame them if they gave it up, but there's no way they're not feeling guilty about it.

"Ya, ya. I mean, we'll see. I have to focus on this right now. Just trying to get a good baseline here, like you. I'll work out a system. This place is overmanaged, they barely even need me here."

I hadn't seen Maddison "Mad" Marceau in a while, even before they left for that trip to NYC, and I'm realizing now how much I missed them, and wondering how frequently I'll see them anymore. Under normal circumstances this place would be entirely inaccessible to me, but they got me on the list, somehow. After that, it was Muni, a skip, a hop, a disturbingly high jump, the primal fear that it would all end in a splat, and finally, arrival. An hour fifteen total, not too bad a commute.

"How often you think you'll come back to the city?" I'm not sure if that's an awkward question to ask, but I ask it anyway. Whatever, I want to feel them out on it.

"I dunno man, they want me to be on call, and obviously I can get here faster than you, but still. Like I said, I just need to get to that baseline, and then we'll see."

"Sure, that makes sense." We spend the rest of the night playing videogames and getting high, and I try to forget about the old businessman in the corner.

"Eat my sex organs!" They're on-screen avatar teabags me and we both laugh. They're much better than me at most videogames but we always have a good time.

**************************************************************************

I flash my RegeXperience badge.

"Excuse me sir." I try not to sigh, guy is just doing his job, but I haven't had my morning coffee yet and this is not a great start to the week.

"You've been flagged for an unauthorized visit to The Court of Those Who Got Off on a Technicality. I'm going to have to take you in for questioning." I feel a pang of guilty panic, but that's not right...

"That's not right. I was added to the list. The 'consultant,'" I don't actually air-quote but I hope I'm giving off air-quote energy, "was referred by me. You should at least be able to see that in the records. I think there's been a misunderstanding." I choke the last part out as all the humidity in the air turns to icicles.

"That appears to be the case. When did you put in the request?"
"Friday afternoon..."

"I see. It might not have gone through yet. You'll still need to put in an exception since you weren't in the system at the time of the visit." Great, so much for my morning.

"You may proceed, Mr..." His eyes dart past me and he stops mid-sentence.

"Juuulia!"

"Samuel! Good morning!" I've been working here for three years but the security guy, who I've seen every single workday over that span of time, acts as though he's never seen me before, but he and Julia are on a first name basis. They small talk for a while but I forget the details before I've even finished hearing them. Julia started three and a half weeks ago, and I just learned the security guy's name is Samuel. That's enough to process right now. We get in the elevator. We small talk, but I forget the details before I've even finished hearing them.

**************************************************************************

"I forget, is this your first time, or just your first time here?" She looks comfortable enough, but some people are just like that, I don't want to assume.

"Nope, first time. Like I was saying this morning, I interned with Delilah Samson but I didn't get to sign The Contract over there, that's why I left." Shit, that's right, we already had this conversation in the elevator this morning. She seems in no way passive aggressive about it, but I also don't trust in my ability to discern such things.

"Ya, I hear that's how it is with internships." She Kirby Krackles with wholesome ambition and it's infectious. I can see why she's set to take point on the next sprint, despite her inexperience. She has the poise of Wonder Woman by way of Socialist Realism propaganda, even hooked up with the mobile EEG, EKG, and the rest of the works.

"All of the readouts are looking good, and I've got you on every monitor. You can begin Crafting whenever you're ready... It can be awkward at first, take your time." I immediately worry if that came off condescending, but I meant it genuinely. Laid out in front of her is a mini ice pick looking thing they used to shove up eye sockets to perform a frontal lobotomy (apparently called an orbitoclast), a syringe full of something I can't look at too closely because it assaults my visual system, and some kind of glossy industrial plastic wrap that gives me flashbacks of death nightmares.

"It feels different, doing it for real. I had it all planned out, but now I'm not sure what to do." She says it matter-of-factly, no blip in her EEG outside of normal parameters.

"Ya, that happens. You remember that fad from a while back, Icing, where frat bros would trick each other into looking at a bottle of Smirnoff Ice and then have to chug it in inappropriate places? I knew a guy who would Craft by Icing himself. You can't plan for that." I laugh, and she laughs along politely but I don't think she knows what I'm talking about.

She takes a deep breath and closes her eyes. A couple minutes pass and I begin to see an uptick in alpha wave activity like daydreaming, but I assume she's synchronizing with the Wyrm Shamir symbiont. Without saying anything, she manifests the Words. The orbitoclast becomes (LONGING+ANALGESIC), the syringe (APOLOGETICNESS+DISSOCIATIVE), and the plastic wrap (COMPULSION+LIMINALITY). The Words decompose into numbers, the numbers into nodes and relational vectors forming into a tree-like shape, a sigil. The EEG signal oscillates erratically, but I can already see it's no longer reflecting brainwaves, but something more like vector art of a surfing wave. The Words of the Golem Core take shape. Silent Scream Surf: (DREAD+BARBITURATE). Manically, she spreads a sheet of the plastic wrap and squirts the contents of the syringe onto the sheet. She manipulates the orbitoclast like a compass, the liquid serving as ink, drawing rotations at the phase angle of the wave. Spacetime warps around her as the wave manifests into a tsunami. The plastic and ink turn into something like a semi-translucent corkscrew, the Golem Core, a forcefield vehicle that looks like it's vacuum-sealing her in a pickling marinade. Orbitoclasts jut from the Core, spinning along the tsunami wave like the teeth of a cog, producing an effect like flicker fusion, a fine blade slicing reality subcutaneously. The slices in the wave sizzle with something like cosmic inflammation. She's surfing in the groove, the transient edge between life and death, and even in her hypo-existent state she exudes ecstatic contentment, like waking up the day after a hangover in utter exaltation of good health, a joy in the otherwise mundanities of life.

"Why are you here?" This is part of the qualitative assessment.

"Danger is coming. They need me to hold things together. I have to look like I know what I'm doing." She speaks with the delirious frankness of sodium pentothal. There's a disturbed pride in her voice.

"Why are you here?" This is part of the qualitative assessment.

"I... I shouldn't be here. I said I was going to check up on my friend in the hospital before it got too late. This test was supposed to be tomorrow but Baz moved it at the last-minute. What am I doing here?" Baz Beetz is our manager. The asshole treats the job like a work of art. Damn him, but he does it well. The corkscrew-craft compresses on her and she looks like she can barely breathe.

"Why are you here?" This is part of the qualitative assessment. I'm compelled to ask the question, but I don't like it. There's a flaw in the tagging scheme. They won't hire enough analysts, so we don't have enough personnel for double-blind studies or inter-coder comparison, so of course all the analysts know exactly what the experiments are about, and they're tagging the data based on those prior expectations. I ran an analysis on the tags to demonstrate this phenomenon and the results were statistically significantly. But the higher-ups can't be bothered to do anything about it. So here we are, wasting time, shock-absorbing the negligence of the higher-ups with personal stress, for garbage data we won't be able to use, or which we'll use incorrectly, which is even worse than throwing it out.

"You know how, whenever there's a big government leak, the news reporters ask about the whistleblowers: 'Are they a Hero, or a Traitor'? Reducing the issue, framing it as a false binary, only one or the other. And usually already deciding which one, depending on the network." She speaks with a flat affect, her eyes staring out in the distance inwardly.

"Sometimes, rules are made to be broken, but that doesn't mean the rulebreaker shouldn't be punished. The rules exist for a reason. Sometimes being a Hero means doing the wrong thing. Something like that is what happened to me in my previous life, that's why I reincarnated this way." I assume the Corporation already has everything she's saying in her personnel file, but I'd never heard it before. I suppose it makes sense.

She's starting to look like a raver not ready to accept the morning light.

"All clear, the test completed successfully. Ready to wind it down?" Nothing for a moment.

"Julia, ready to wind it down?" The wave dissipates anticlimactically, no cathartic crash, and she's left in the middle of the massive test chamber looking smaller than ever. The usually bold ink-lines surrounding her have smudged and thinned. Fading, like she's caught in a moment of fairytale nostalgia. She poses, smiles, and gives me a thumbs up. It almost looks real, but I have an idea what she's feeling. She's better than me at compartmentalizing, but working through this system, it tears you apart like time on telomeres. I guess that's the cost of being a Hero.

MRD Vol. 2 DevLog: Nazarite Vows, Cry of the Wyrm Shamir, WIP Nazarite Contract Example

I vow to start tagging these as DevLog going forward (will eventually backlog them too), the previous being an overhaul of the gameplay loop for MRD Vol. 2.

I also vow to eventually create a better index situation and consolidate this information! Maybe that'll go on a WIP itch thing, or something like that. What do you all think of that?

Following up on the previous post, I will describe the  Nazarite Vows and Cry of the Wyrm Shamir mechanics in more detail, and provide an updated version of Fast Lane Fintechnomancer Nazarite Contract as an example of what this all looks like.

Fast Lane Fintechnomancer

The world is full of freaky frequencies but only some scry the spiking signals. You ride the heartbeat of society on a crash course for cardiac arrest, but the spectators and speculators will rave as you race right until the end.

Roll or choose Ability Scores from array.

Same Ability Scores as MRD Vol. 1: NATure, WISdom, PROpriety. This is maybe the last bastion from MRD Vol. 1, maybe I should rework these as well?

In brief:
NATure: For things requiring exertion, whether physical or mental.

WISdom: Making observations, resisting temptations, critical, lateral, or abstract thinking.

PROpriety: Ability to navigate and thrive in society.

Metamorphoses

Choose one.

These are just flavor. You get more of them as you Ascend. Or you can take all of them, or make up your own, or ignore them. They reflect the metamorphosis of the Wyrm Shamir symbiont and the nature of the Nazarite Contract.

There will be 6 for each Nazarite Contract, but currently I have these three.

1. Your eyes display a waveform like a heartbeat monitor or screensaver.
2. Ominous runes, stock listings, numbers, and other symbols tick from LCD fingertips.
3. You've spent so long collapsing the past to predict the future, motion lines course your movements.

Choose one of each Starting Nazarite Vow

Tikkun Olam, Wyrm Shamir, and Corporation.

These correspond to the three Immutable Vows. The intention is for each to frame the nature of the Nazarite Contract, and provide hooks for the GM and Player to work towards and deepen the Campaign.

There will be at least 2 for each category, but currently only have 1 each.

Tikkun Olam Starting Nazarite Vows are the big-picture Mending of the World.

Wyrm Shamir Starting Nazarite Vows are about doing for others, especially those dependent on you.

Corporation Starting Nazarite Vows are the hard compromises we have to make, or choose to make; the triage of the soul.

The Immutable Vows and categories of Starting Nazarite Vows demonstrate how to think about creating and Resolving Nazarite Vows, but the specific means of doing so are intentionally open-ended. For groups preferring more adversarial dynamics, the negotiation of Nazarite Vows, how to Resolve them, and whether they are Fulfilled or Subverted can be like a debate. For other groups, such as my own preferred style, this can be a more collaborative process.

Both volumes of MRD have themes they are intended to explore, but whereas some thematic games impose those themes as a narrative conceit, MRD implements them within the gameplay loop. Even if a group or specific Player does not care about the themes, they must be conscientious of and engage with Nazarite Vows and the process of Resolving them in order to Ascend. If it helps, think of it like the push-and-pull between GM and Player with regard to Rulings in old-school D&D play.

Starting Nazarite Vows (Tikkun Olam)

1. Develop a technology or statistical model that changes the global economy for the better.

Using their technical skills, what can they do to try to change the world? Create a currency backed by real-time metrics of positive environmental action? An algorithmic anarcho-socialist wealth redistribution system? The world is yours to Mend!

Starting Nazarite Vows (Wyrm Shamir)

1. Give up the next race (or the next after); a promotion, raise, investment opportunity. Slow down so you may be present for those you care about.

They should at some point be set up for some growth opportunity, and then make the decision to reject it at some great cost. It doesn't literally have to be "the next" race, but the time will come eventually.

Starting Nazarite Vows (Corporation)

1. Aim for the Top! of the Corporate Pyramid. Each promotion comes with greater perks, but also greater dangers should you fall.

They are constantly running the hedonic treadmill. As with the Wyrm Shamir example above, they should be given growth opportunities, but also, these opportunities should come with risks. "Now that you're a Senior Fast Lane Fintechnomancer, we really expect you to be able to take care of the Kaiju problem on this Vessel of Tehom without outside assistance...". Also, one could imagine how this and the previous Wyrm Shamir example could lead to interesting conflict.

Cry of the Wyrm Shamir

If you are above Level 1 and would otherwise raise your Gilgulim above 6 or fail to Resolve a Nazarite Vow, instead you activate a Cry of the Wyrm Shamir.

Roll or choose one of these Cry Words. It becomes a negative Mod on one of your Golem Gear. Until the next time you Ascend Gilgul Neshamot, this negative Mod cannot be removed, and no other Mods can be attached to that Gear. The Cry Word should transform the Gear in some way, and every time that Gear is used there should be some negative consequence relating to the Cry Word.

I was never 100% satisfied with the Reincarnation Rituals and Recursion Attachments of MRD Vol. 1. Obviously the idea of Recursing through reincarnations is a core idea of MRD, but as implemented, many of the Reincarnation Rituals didn't feel very additive, and while the Recursion Attachments were additive, they created "clutter" in the pile of Karmic Attachments. This new approach hopefully addresses those concerns.

Each Cry Word relates to the Nazarite Contract. It modifies a Golem Gear in some thematic way. It doesn't preclude the use of the Gear, but it does invoke a penalty. It doesn't add to the list of Nazarite Vows or other goals they already have to be thinking about, but it still adds character. It also only affects them while in their Golem, so it's hopefully not too much of a burden.

Each Nazarite Contract has 4 Cry Words in their Cry of the Wyrm Shamir list, but currently I have 1.

1. BURNOUT: Golem Gear with this Mod have a high probability of failing spectacularly.

This is the most recent idea of this overhaul, but I'm feeling good about it. So with BURNOUT, a Golem Gear might start sputtering and coughing fumes, or any lights become dimmer, etc. A GM might require the PC roll a Save when it's used, and if it fails, it blows up, becoming inoperable for the rest of the Conflict or some duration of time, or does something really interesting. Should try to avoid just "take X Damage" or whatever, but that's a safe fallback.

Since Golem and Golem Gear are custom-made and not tied to Nazarite Contracts, there's a lot more flexibility in how this might work, and also in how to explain it. That's been an intrinsic complication with Concept Crafting, but one I'm comfortable with.

Previously created Weird Mecha Generators (intended for use as Golem in MRD Vol. 2):
Nihilism Golem

Embodied Cognition Golem

Superorganism Golem

One of my Players in the Campaign used a modified version of the Chemysterious Cascader from the Embodied Cognition post so I'll use that as an example:

Before BURNOUT:

GEAR3: (TASTE + SSRI)

Synesthetic Serotonin Starshine

A lolling tongue apparatus beaming starshine. Piercing tendrils seeking slick tongues to rest beneath, inducing bright light synesthetic explosions, washing out emotions and replacing them with a taste like a pina colada on vacation or a big ball of bubble gum in the mouth of a child.

After BUROUT:

GEAR3: ((TASTE + SSRI) + BURNOUT)

Synesthetic Serotonin Sputter

A lolling tongue apparatus fizzing and sputtering. Piercing tendrils seeking slick tongues to rest beneath, inducing flickering synesthetic sparks, washing out emotions and replacing them with a taste like overripe fruit or a piece of cloyingly sweet candy.

Admittedly these Gear are already pretty weird and abstract in how they're written, but that's the general idea...

Damage Dice

Each Nazarite Contract comes with at least one Damage Die corresponding to the three Ability Scores. N is Nature, P is Propriety, W is Wisdom, and dN is the die size. These dice are not tied to any specific Nazarite Feature or Item, but contain parentheticals suggesting how they should be used. So long as the Player can conceive a relevant means, the PC can deal Damage.

If a Nazarite Contract does not have a Damage Die for a given Ability Score, they can deal d4, and if they have a minus, they can't deal Damage at all with that Ability Score under normal circumstances.

I like this approach better than MRD Vol. 1, where Damage Dice were tied to specific Poltergeist Features or Special Items. It was harder to design that way, more limiting, and less fun. This might be a little trickier to wrap your head around at first, but I think it's better on the whole.

Fast Lane Fintechomancer Damage Dice: Nd6 (Intelligence), Pd6 (Corporate Savvy), -W (Uncritical of society)

Fast Lane Fintechnomancers are intelligent, and savvy in the ways of the corporate world, but they've had to make emotional or critical compromises in order to get there; or, they simply haven't had enough exposure to other worldviews.

Nazarite Features

Each Nazarite starts with their 0th Nazarite Feature (blogger won't let me list from 0...), and 2 additional Nazarite Features randomly rolled or selected. Which is good because I've only written 3 so far...

Compared to MRD Vol. 1, I tried to make these much more flavorful and largely eschew things like Save bonuses or Armor in place of interesting procedural effects. You can totally play MRD Vol. 1 that way as well, we often did in my Campaign, but in retrospect I wish I had designed it more in that way.

1. Transcranial Tachyonic Stimulator: Wearable thiotimolinic time crystal technology like a futuristic EEG cap. When taking a risky action, you may evoke the consequence before the antecedent, like activating an explosive mine BEFORE stepping over it.
2. Zip Ribbon Regressor: When investigating a new situation, you gain one profitable insight that would otherwise be impossible to have known.
3. Fast Lane Flow: When allowed to engage in a task without interruption, you enter a flow state, experiencing time as if everything besides yourself were in slow motion. Not quite superspeed, but the next best thing.

While no longer tied to a specific Damage Die as in MRD Vol. 1, the 0th Nazarite Feature should still be the one most reflective of the Nazarite Contract. Whether or not the list above reflects that I'm still uncertain.

Transcranial Tachyonic Stimulator is great for dealing with time-sensitive traps or barriers. Zip Ribbon Regressor is good for intel. Fast Lane Flow gives you an action-oriented boost. All three relate to either technical skills, or corporate values such as "work ethic".