My Games

Showing posts with label game design. Show all posts
Showing posts with label game design. Show all posts

Monday, April 21, 2025

Jewels of the IndraNet

This is the first original game material I've written for my current Maximum Recursion Depth Campaign, up to now I've just been using the book or other materials I've previously written.

It takes inspiration from Gardens of Ynn and also the Mycelium Matrix guest entry in Huffa's Between the Skies.

It references Buddhabrot City, a location briefly mentioned in the module in the book. Right now I just need it to last for 1-2 sessions, it's just a vehicle for other stuff in the campaign, but it would be nice at some point to expand this further, more like Ynn, with more entries per table, more tables, additional descriptions, location-specific tables, events, rogue poltergeist and nature spirit generators, etc.; and make it something that could work either for MRD or as a standalone thing.

In addition to the Jewels of the IndraNet I also wrote a few additional locations for Buddhabrot City, and it will incorporate Dharmatics using Concept Crafting. Not including that stuff in this post, maybe in the future.


Jewels of the IndraNet Generator (prototype version)
Roll d6+layer for each (starting from layer 0)

Locations
1. Residential neighborhood.
2. Neighborhood main street.
3. Natural space (park, lake, woods).
4. Liminal space (bridge, transit area, long road).
5. Industrial area.
6. Market.
7. Entertainment district.
8. Financial district.
9. Deep urban space (winding streets, alleys, Kowloon-dense spaces).
10. Deep nature (forest, desert, ocean).

People
1. Devas going about their business.
2. Rogue Poltergeist (peaceful or mildly disordered).
3. Nature Spirits in equilibrium with their environment.
4. Rogue Poltergeist (moderately disordered or engaging in petty haunting e.g. graffiti, stealing minor objects, opening doors and windows).
5. Deva merchant (pushy hawker, shady shyster).
6. Human refugees in tension with Deva locals.
7. Derailer scouting party.
8. Rogue Poltergeist (violent) or Asura.
9. Powerful Nature Spirit.
10. Derailer caravan sabotaging a Deva space.

Details
1. Serene stillness, even mild sounds echo, movements tessellate, light bends and slows like in fog.
2. Negative spaces, visual field pop-in like a videogame.
3. Low humming and synesthetic lines of poetry or dialogue taken out of context, peaceful yet ominous.
4. Rainbow sun, 3D rainbow shadows projecting from 4D spacetime, no darkness, no black.
5. Holographic mushrooms, psychedelic imagery, anachronistic technologies and robots.
6. Lights and music and animate graffiti like a naturalistic EDM club.
7. Overwhelming luminosity and pulsing waves of liquid sunshine.
8. Everything is a pareidolic Nature Spirit.
9. Industrial waste, dinosaur poltergeists screaming in pools of flaming oil, leprous-looking plastic-men.
10. Corporate takeover, everything is assimilated into a Corporate Spirit.

Monday, March 31, 2025

A few random quirky items for your game


1. Portal Gun: Like the game. It can be a wand instead for fantasy.

2. Phasing Spear: It can stab through doors and other barriers as if they weren't there.

3. Healing Arrows: Dipped in healing potions, they deal damage first, but if the target survives, they heal one die-size larger. Deals bonus damage instead to undead.

4. Silence Earplugs: Make you immune to non-physical magics, but also deaf.

5. Mood Ring: You can psychically sense the mood and motivations of those around you, but your own are projected from the ring itself.

6. Magic 8 Ball: Divination and/or quantum collapsing item that actually uses a d20 despite the name. Can only be overruled by the Magic ∞ Ball.

Tuesday, March 4, 2025

Existential Evolution (Weird & Wonderful Ecology Generator)

There's Natural Selection and Sexual Selection, and on this world, there is also Existential Selection. Beyond simply sex and survival, creatures on this world have innate, seemingly irrational drives. However, like a Rube Goldberg Machine, the ecosystem depends on these existentialist impulses in order to function. Although any given organism may be hindered in sex and survival because of their existential impulse, beyond these constraints, life takes on all sorts of Weird & Wonderful turns.


How to Use
Roll a handful of creatures, think about how they interact, and write a paragraph for each entry. While developing a creature, look to the others and think how they might fit together. Combine the entries at the end into a single story about the Existential Ecology.
Admittedly the number of features for each entry can be a little overwhelming, but I find that even after creating one or two creatures, it becomes easier to just fill out the rest of the ecology with original creations- no need for the generator.
Most of the features of the generator are of a physical nature with some supernatural elements, but the Existential Niche, specifically the Synchronicity, are the "Rube Goldberg" mechanisms of these Existential Ecologies.


Inspirations
  • Richard Prum's Evolution of Beauty (linked above): Inspired me to consider other mechanisms of evolution besides Natural Selection.
  • Designing a Genetic Algorithm because learning the rules allows one to break them with greater intentionality.
  • Scavengers Reign, which takes the increasingly over-used Moebius "aesthetic" and actually does something unique and interesting with it; a superficially realistic world with an impossible and awesome ecology that defies the typical fitness mechanisms of evolution.


Logistical Notes
This was made in coordination with Gemini. It was super helpful for structuring the tables and filling the more mundane entries, and also with the html and javascript code.
There was a lot of back and forth, zhuzhing it up, not just taking some random stuff it generated as-is.
Notably, I even tried to get Gemini to build an ecology with the generator, and it crashed repeatedly- the existentialist concept is apparently too complex for the model, which I found encouraging :p.
More than that, using the Existential Niche Synchronicity to facilitate the Existential ecological interdependence requires human creativity.



Example Existential Ecology


Creature 1: Dragon Turtle

Physical Description

  • Body Shape: Amorphous
  • Size: Gargantuan
  • Limbs: Zero
  • Movement Type: Element Bending
  • Speed: Very Slow
  • Special Adaptations: Venomous

Diet

  • Type: Scavenger
  • Feeding Adaptations: Digestive enzymes in gut

Social Structure

  • Size: Small groups
  • Organization: Nomadic

Ecological Role

  • Primary Role: Keystone species
  • Interaction: Acts as a food source

Reproduction

  • Method: Sexual (internal fertilization)
  • Existential Influence: Symbolic Gestation: Reproduction is induced after a symbolic representation of the offspring is created or destroyed.
  • Frequency: Constant
  • Offspring Quantity: Numerous, small
  • Offspring Development: Metamorphic
  • Parental Investment: Moderate

Existential Niche

  • Behavior: Modifies physical appearance through elaborate self-decoration or body modification.
  • Synchronicity: Presence or behavior anchors the ecosystem towards some teleological trajectory, and so long as the species survives, the ecosystem will inevitably 'regress to the mean'.


Creature 2: Byakhee

Physical Description

  • Body Shape: Conical
  • Size: Medium
  • Limbs: Four
  • Movement Type: Telekinesis
  • Speed: Fast
  • Special Adaptations: Echolocation

Diet

  • Type: Filter feeder
  • Feeding Adaptations: Filtering structures

Social Structure

  • Size: Small groups
  • Organization: Hierarchical

Ecological Role

  • Primary Role: Producer
  • Interaction: Contributes to nutrient cycle

Reproduction

  • Method: Sexual (internal fertilization)
  • Existential Influence: Synchronized Cycles: Reproduction is tied to a rare synchronization of natural cycles.
  • Frequency: Constant
  • Offspring Quantity: Variable
  • Offspring Development: Independent
  • Parental Investment: Minimal

Existential Niche

  • Behavior: Engages in ritualistic displays or dances, often synchronized with natural events.
  • Synchronicity: Serves as or facilitates the introduction of an immigrant species into the ecosystem.


Creature 3: Star Monkey

Physical Description

  • Body Shape: Radial
  • Size: Tiny
  • Limbs: Two
  • Movement Type: Brachiation
  • Speed: Slow
  • Special Adaptations: Camouflage

Diet

  • Type: Herbivore
  • Feeding Adaptations: Claws

Social Structure

  • Size: Large herds/flocks
  • Organization: Migratory

Ecological Role

  • Primary Role: Symbiont
  • Interaction: Distributes minerals

Reproduction

  • Method: Asexual (fission)
  • Existential Influence: Existential Trigger: A specific, seemingly unrelated event triggers reproduction.
  • Frequency: Opportunistic
  • Offspring Quantity: Numerous, small
  • Offspring Development: Metamorphic
  • Parental Investment: Minimal

Existential Niche

  • Behavior: Meticulously collects and arranges specific objects (pebbles, shells, bones).
  • Synchronicity: Low-probability events become slightly more likely, causing divergent natural selection like an anti-carcinisation effect.


The Dragon Turtle, contrary to its name, is actually a complex slime mold that katamaris itself into a mobile "island", and small bands of Dragon Turtles form something like an island chain. Although it hosts many species, it protects itself through venom and digestive enzymes that seep out of cracks or fall from foliage when threatened. They reproduce sexually, creating mild tremors when they meet and exchange genetic information. While one Dragon Turtle gestates, the other breaks off a piece of itself as the shell for the offspring.

Named after the Lovecraftian monsters, wolf-bat Byakhee use a sonic force to glide within the Dragon Turtles, safe from their venom and enzymes. They filter impurities from the slime and their waste attracts species from outside the Dragon Turtle island chain, such as Star Monkeys. Their reproductive cycle is tied to that of the Dragon Turtles, bathing the Dragon Turtles in a sing-song sound bath like a cooing theremin.

Star Monkeys are tiny creatures that look like starfish on two legs and with an uncanny pareidolic simian-humanoid face. Normally camoflauged, they become visible when they swing with their feet claws around the flora of a Dragon Turtle in a wave of stars and faces. They collect star shaped objects for fun, inadvertently pollinating and otherwise distributing resources around the Dragon Turtle. The hoarding behavior of the Star Monkey inadvertently normalizes resources in such a way that Dragon Turtle island chains rarely exhibit the kind of gigantism or dwarfism of species often found on island ecosystems.



Existential Creature Generator

Existential Creature Generator

Friday, December 13, 2024

Rings of Power: The Inner Circle

Rings of Power: The Inner Circle

The PCs are inducted into The Inner Circle, a secret society whose members are supplied with a ring of power.

They scheme against The Body of Orkus, the order of those corrupted by the Dread Demiurge Orkus, and its quasi-material manifestation, The Eye of Orkus, in a secret global cold war.

The rings of power make users invisible and powerful.

Those who wear the ring can sense the nearby presence of others who wear the ring.

Those who wear the ring risk Corruption (roll Corruption Die each time a ringbearer puts on the ring), becoming more powerful, but also closer to Ork metamorphosis.

Those who wear the ring draw the attention of the Dread Demiurge Orkus (roll Orkus Die once when one or a group of ringbearers put on the ring). Those spotted by the Eye of Orkus must flee imminently, or face unimaginable suffering.

Wednesday, November 27, 2024

Alien Invasion Weird Worldbuilding Game

This is a Weird Worldbuilding game. You're provided with a set of tools to develop a near future world, like five years near, except there's been an Alien Invasion and that's changed things a bit.

If I run this game, it will be inspired by the Yakuza / Like a Dragon videogame series. You are part of or adjacent to organized crime, but both the organized crime and the Alien Invasion are incidental, it's really about the whacky side quests. Also you'll have superpowers because everything is better with superpowers. If you really want this game to be about the Alien Invasion that's fine too, but for me it's a sandbox game.


Below are a series of prompts for the group. We start with Session 0 prompts. After that we have a series of Session X.1 prompts. You can answer them ahead of time and are encouraged to at least read them ahead of time, but breaking them up makes them more manageable. These X.1 Sessions are micro-sessions between other main sessions to build out the world further. Any time a prompt suggests doing "one" thing, assume it means "one or more" unless it specifically says otherwise.


Session 0 Prompts
Reminder that you should read all the prompts even if you only answer the Session 0 prompts. Note what they imply about the game by virtue of when you are asked to address them.

After the Alien Invasion, one previously advantaged group e.g. nation, religion, ethnicity, "race", or "gender" has become disadvantaged, and one disadvantaged group becomes advantaged.

The Alien Invaders are hyper advanced in many ways, but they have introduced one innovation, technology, resource, skill, or practice that has profoundly changed the world.

The Alien Invaders have effectively solved one major world crisis e.g. war, inequality, disease, ecological disaster, and introduced one new major world crisis.

A specific location on Earth has been dramatically altered by the Alien Invasion.
This could be a good starting location for the game.

Communication between humans and the Alien Invaders is limited, and requires a specific method or technology.


Session 3.1 Prompts
Do these before the fourth session (you can do them sooner).

The Alien Invaders have a notable trait e.g. appearance or ability that differentiates them from humans.

The Alien Invaders have a notable behavioral quirk that differentiates them from humans.

The Alien Invaders have a unique artistic expression, and human cultures have to varying degrees adopted or reacted against this mode of expression.


Session 5.1 Prompts
Do these before the sixth session (you can do them sooner).

The Alien Invaders face one major threat.

The Alien Invaders have one good ally, one enemy, and one rival.



Example World

Yakuza: Like an Alien Invasion


Session 0 Prompts

After the Alien Invasion, one previously advantaged group e.g. nation, religion, ethnicity, "race", or "gender" has become disadvantaged, and one disadvantaged group becomes advantaged.
Advantaged -> Disadvantaged: Organized religion has already been tanking in the 21st century, and organized Christianity in particular really takes a hit after the Alien Invasion. Many of the American Megachurches have simply moved camp.
Disadvantaged -> Advantaged: The Alien Invaders seem to prefer working with trans and non-binary folk.

The Alien Invaders are hyper advanced in many ways, but they have introduced one innovation, technology, resource, skill, or practice that has profoundly changed the world.
Through a process humanity is yet to fully understand, after undergoing a trauma (or a steady state of micro-traumas), some humans begin to "ferment". The metamorphosis gives the Fermented Folk superpowers. 

The Alien Invaders have effectively solved one major world crisis e.g. war, inequality, disease, ecological disaster, and introduced one new major world crisis.
Solved: Through a solar pipeline, essentially infinite, clean, free energy funnels down to Earth from the sun itself.
Introduced: While <1% of humans are Fermented, the proportion of Fermented Folk appears to be rising exponentially (R0 still under research). However, 3% of Fermented Folk develop Weird Pathologies, and this number appears to be scaling up disproportionately as a function of the proportion of Fermented Folk.

A specific location on Earth has been dramatically altered by the Alien Invasion.
The hub of the Alien Invasion is North Korea. The DMZ is gone and Pyongyang has been the fastest growing city over the last few years.

Communication between humans and the Alien Invaders is limited, and requires a specific method or technology.
Through the Collective Unconscious, 777 Fermented trans and non-binary folk throughout the world have been elected to represent human interests with the Alien Invaders through dreaming.


Session 3.1 Prompts

The Alien Invaders have a notable trait e.g. appearance or ability that differentiates them from humans.
They are bird people.

The Alien Invaders have a notable behavioral quirk that differentiates them from humans.
They usually lay twins, and in nature they allow the stronger of the twins to overpower the weaker, which they then abandon. While this practice has been outlawed in their current era (and perhaps earlier), this conflict defines them as a species perhaps more than anything else.

The Alien Invaders have a unique artistic expression, and human cultures have to varying degrees adopted or reacted against this mode of expression.
The Alien Invaders are vivid lucid dreamers and have developed a robust art of dreamcrafting. On the whole humanity has come to appreciate this new artform. However, there are many who now feel varying degrees of fear or resentment towards dreaming. Rates of sleep disorders have risen, and new psychosocial pathologies have had to be defined to explain the paranoias and delusions some now develop around sleep and dreaming.


Session 5.1 Prompts

The Alien Invaders face one major threat.
An organized crime terrorist faction primarily of The Forgotten, the "weaker twins". They've staked a foothold on Earth and threaten colonization.

The Alien Invaders have one good ally, one enemy, and one rival.
Ally: Quasi-intelligent space dugongs that are not quite pets but not quite intellectual equals either. Like if you could actually talk with your dog.
Enemy: Wyrms, parasites like tiny little dragons. Infected become Wyverns, similar to human vampires or werewolves. The Fermented Folk may also be related to the Wyrms(?)
Rival: Space trolls that look like humanoid clownfish on steroids with maw of a crocodile. Their technology is all stolen from other civilizations and cobbled together. They've made a stake in Russia but otherwise the bird people have a lockdown on Earth.

Tuesday, November 5, 2024

Dynamic Reality Gaming

Dynamicland and Dynamic Reality Overview
As someone who is interested in the intersection of STEM and the arts, I'm a big fan of Nicky Case's blog, and in their most recent post (as of writing) they reference Dynamicland (I would also recommend checking out their youtube).

Tl;dr it's an approach of humanistic computing, taking compute off of a screen and out into the world.

They do this through a tech stack that seemingly involves lighting and cameras, and mapping physical objects to code, it's not open source but that's how I understand it, but anyway it's less about the tech and more about the approach.

The creators seem like brilliant people and they make some profound insights about computation and this notion of dynamic reality (as compared to virtual reality, augmented reality, or of course physical reality).

So Dynamicland inspired this post, but this is about TTRPGs now. If you want to learn more about Dynamicland I'd encourage you to watch their youtube videos.


The TTRPG Stuff
Presumably this is what you came here for. Basically, what are some presumptions about game design that use mathematical or linguistic abstraction, that might be better represented visually or kinesthetically?


Character and Inventory Management
You ever lose track of your abilities and items? Not anymore you don't.


Meet Orcus Johnson. He has a laser axe (A1), shoulder mounted blaster (B2), and the Johnson Crown (C3). More details can be found mapped to those keys.

It would probably be both easier and more in the spirit of DR to use a hand drawn figure, or like some combination of a drawing, paper cutouts, tokens, minis, etc., but I'm still a very digitally oriented person. Also, if you can draw, you can do something besides a stick figure.

It would be especially fun to do this for Mecha.


Wounds
We were talking about this on my discord server so that's part of what came to mind. The idea of having targeted attacks, like being able to wound arms, legs, etc., with various status effects like burning, bleeding, acid, always sounds like fun, but it can be a huge pain to keep track of. Until now.

We can see clearly that Orcus Johnson has lost his leg and is bleeding profusely. Additionally, Thor Goldberg struck him with lightning and he is now electrocuted and stunned.


The point here is not to get rid of the mechanics or math or whatever, this figure corresponds to bleed effects, lightning effects, etc.; it's not less crunchy, it's just more immediately identifiable what is happening. Rather than a bunch of abstract numbers or words and having to dig through it all, you can see very clearly what's going on, and then trace it back to its references.


I'm not really into crunchy games anyway, but if I were to try to reincorporate some crunch into my gaming, I'd probably try things like this.

Thursday, July 11, 2024

Game Design Pattern: Concept Crafting

As part of WORDS!: The July 2024 Blog Carnival hosted by Beneath Foreign Planets, I thought I'd revisit one of my favorite game mechanics of all time: 


Credit to Saker Tarsos, his Crafting with Concepts post from 2020 was the last TTRPG mechanic that truly inspired me. I'm sure there's other really innovative things I haven't given sufficient consideration or am not aware of, let me know in the comments, but this one was a game changer.

I have been under-inspired lately so I'm not going to re-hash too much. 

The core mechanic is as follows:

WORD1 + WORD2 = WORD3

e.g.:

FIRE + BALL = FIREBALL

Go read his original post or any of the following.


In my original Mecha Gear post I describe a system for building Mecha with Concept Crafting, but this could easily also apply to Power Armor or Battleships or other mechanical things.

I created three spark table posts for creating various kinds of weird mecha:
I also wrote Pre-Gens for a Super Robot Wars (videogame series)-style crossover Post Apocalyptic Mecha setting including the Ichinana from Mazinger Z, Jet Alone from Evangelion, and Hyakku Shiki from Mobile Suit Gundam.

The final play report of my Maximum Recursion Depth Volume 2 Campaign has a writeup of an awesome Concept Crafting-based Mecha boss fight, with an index to all the other PRs. The penultimate play report also had a really cool sandbox survival module that leveraged Concept Crafting for a variety of things like salvaging resources and constructing a base.


I also proposed a "monster" collecting mechanic using Concept Crafting (e.g. Pokemon, Dragon Quest Monsters, Shaman King) in the form of Anima Crafting for Maximum Recursion Depth Volume 3.


I've talked to people who were not aware of Saker Tarsos' post but had independently come up with a similar idea for things like a magic system (Maze Rats' magic system may have worked similarly, I don't remember anymore), or for something like Zelda Breath of the Wild / Tears of the Kingdom.


I hope this blog carnival brings more awareness to Concept Crafting and that more people begin to design around this mechanic. I imagine there's a whole lot more that could be done with it if people put their minds to it.

Friday, April 19, 2024

The Law of Unintended Consequences: A Two Party Competitive Game

The Law of Unintended Consequences is a competitive game played between two parties, managed by a single GM.

One team are The Heroes, and the other team are The Outlaws.

The Heroes overthrew the previous corrupt regime, and seek to create a better world. They'll have to contend with the corruption, incompetence, and sheer magnitude and complexity of the problems within, and also,

The Outlaws are a more heterogeneous bunch. Some are idealists who simply have no faith in the system as-is. Others' lived experience suggests to them that they must look out for themselves and theirs, and live day to day.


For each of their game sessions, The Heroes speak with their advisors, speak with the people, mitigate conflicts, legislate, and supervise. As they attempt to solve problems, it will be increasingly obvious all the ways they are being undermined every step of the way, both by corrupt factions and criminal NPCs, and also,

The Outlaws play more like a standard TTRPG, as opposed to the Domain-play of The Heroes; whether that be picaresque adventure, or something grander. All the same, they will frequently find themselves at odds with the policies and agents of The Heroes.


This game would benefit from tables and such; suggestions for "Unintended Consequences", various issues Heroes or Outlaws may confront. Maybe I'll write those later if people are actually interested in the idea.

Friday, January 26, 2024

The Empty Place

On this next adventure, you'll be heading to The Empty Place. Accompanying you will be The Diplomat. You will be provided with basic equipment and credit for expenses. The climate is temperate, there are few monsters or other anomalies, and no population to speak of. Arrangements will need to be made to dismantle the existing infrastructure so that we can establish supply lines, and security will need to be maintained around key points (for which your credit may be leveraged and expensed). You should expect some resistance at first, but should be able to resolve any conflicts with minimal bloodshed. Should you find yourselves compromised, it is imperative that The Diplomat escapes. They will know how to devise the post-mortem report. Know that long-term success of operations will depend on the initial terms.

I promise there is a real module idea hidden in here. You may ask why I am not explaining, but it simply cannot be discussed.

Thursday, December 7, 2023

A World in Two Times


Each player is two characters, an Ancestor and a Successor

This is a world of circular time, or at least for the PCs. Actions in one time affect the other. If it's easier, think of it like a surrealist dream. A whole other life, a world with its own rules, and maybe no less significant. Quite literally, this is how luck is made. 

Like Karma, attaching to the present at the expense of the future (or past, as it were) accrues debt. Even though you represent both interests, sometimes it feels like you just don't have a choice.

The Ancestor and Successor are each other's spirit familiar.
Lucid to each other's dreams.

Both images by the Surrealist Max Ernst


Possibilities
  • Luck, synchronicities, spiritual phenomena all operate within the circularity of time.
  • Ancestor and Successor are arbitrary terms. Ones' history is the others' prophecy.
  • Causality as we think of it is merely a heuristic; a reasonably predictive and explanatory model for something much more complex.

Sunday, July 9, 2023

We are Building a Religion


You have experienced something Phenomenal, so awesome and steeped in meaning and virtue, that The World must be made to understand. And so 

We are Building a Religion.

What is The Religion?
  1. Nope
  2. There is no roll table
  3. You're just going to have to build The Religion for yourself
  4. You can try ChatGPT
  5. Or
  6. Consult the I Ching

You may each perform a kind of Miracle, but it is never something that can be observed directly or proven (it must be taken on faith). Prophetic visions full of vague symbolism, an indomitable will, improbable successes, a presence or charm, and things of this nature.

As The Religion spreads, it amasses The Power necessary to defend itself against The World.


At first The World will respond with apathy, and The Religion will use this in its favor.

The Religion will attract the disenfranchised.

Then The World will respond with mockery, and The Religion will use this too.

The Religion will attract the scorned.

Then The World will use brute force. But by this point, The Religion can defend itself.

The Religion will attract the violent.

Finally, The World will attempt to assimilate the Religion. But by this point, The Religion will have already begun to consume The World in kind.

The Religion will attract the mindless.


This is a game about building The Religion, which you define for yourselves.

The Miracles granted by The Religion provide little benefit in themselves.
The Phenomenon alienates you from The World, at least at first.

You are opposed by The World.
And, potentially, each other.
The odds are not in your favor.

The Power comes from the acquisition of human biomass, social networks, money, hegemony, and ???????? »Â£ »Â£╔, in that order, or the reverse. 

The Power is not sourced from individuals, but from systems. The Miracles are like spears and shields torn off a nuclear-armed jet. The Power is drawn from the collective faith of its adherents.

It is your only hope of survival against The World.

As you attain The Power, The World will conform to The Religion. But, The Power is itself of The World. The more of The Power that The Religion obtains, the more like The World it becomes.

The game is as Weird, Psychedelic, Horrific, and Magical as The Religion has the ambition to be and as The World allows.

This game is not a power fantasy about individuals obtaining magical swords and accomplishing superhuman feats. It is (a power fantasy) about ideas, awe, communication, community; about building systems and defending them from predators, disease, mundanity.

This game is not for those who seek only linear things, who take pride in their ignorance, who desire the mundane or populous at the exclusion of all else, who do not consider what they want nor why, who neither understand nor have any interest in understanding. This game is ill-defined by design.

Thursday, June 29, 2023

Game Design Pattern: Time Action!!!

In my continued attempts to do weird spacetime stuff with TTRPGs (The Art of Chrono WarMulti-Dimensional Hex Crawl), here's a system neutral Game Design Pattern for running conflicts with time mechanics.

These are currently untested. Might be better for fast or rules-light games, encounters with specific goals, or where there is some imposed limit on the number of Rounds (could just be a baked-in hard limit and not context specific); since individual Actions and entire Timelines may be overwritten, the pace of the conflict might be slower, all else being equal.

The idea was partially inspired by Source Control Management (Git specifically), if you know you know, but you don't need to know.

Again, totally untested, so if you catch any obvious issues with the design pattern, please let me know. I haven't run a game in a while but I'll try to incorporate this next time I run something and see how it goes.


Terminology
Basic overview of the game design pattern.

Turn: A single character's continuous Actions.

Round: Cycle of every characters' Turn, or reset after a new Timeline is created by a Time Action.

Action: General term for anything a character can do on their Turn.

Time Action: An Action of any kind that is taken backwards in time to alter a previous Turn within the Round, and that may create a new Timeline (and therefore resetting the Round).

Timeline: Linear sequence of Actions or Turns encompassing a Round. Whenever a new Timeline is created, the Round resets starting from the next Turn.

Stash Action: A special kind of Time Action, forfeiting a Turn to react to or interrupt other Actions.

Merge Action: Use a Stashed Action to react out of Turn order immediately after another Action.

Rebase Action: Use a Stashed Action to interrupt a Time Action, resolving prior to the Time Action.


Time Action Game Design Pattern
Explanation of the mechanics laid out in detail.

Time Actions

  • Time Actions resolve using whatever mechanic would normally be involved for that Action. 

  • They can only go back as far as the current Round.

  • -X penalty on the Action for each Turn backwards.
    • e.g. -1 to reset the Timeline from the previous character's Turn, -2 for two Turns back, etc.
    • -X penalty is a relative term for whatever makes sense for the chosen system.
    • Or, cost +X Time Action points, if you want to use a meta currency to limit Time Actions.

  • If the Time Action is successful, the character may choose to accept the new Timeline and reset the Round, or revert to the original Timeline.
    • If reverting to original Timeline, they are in effect forfeiting their turn, but gain +1 to their next Action or receiving a Time Action point if taking that approach.
    • If accepting the new Timeline, they gain a +X bonus on their next non-Time Action where X is the number of Turns erased by the new Timeline.

  • If the Time Action failed against an opposing character, the opposing character may choose to accept the new Timeline.

Stash/Merge/Rebase Actions

  • Stash Action: Choose a kind of Action (e.g. running, fighting, hiding, etc.). 
    • Forfeit your Turn.
    • Stashed Actions may be used to Merge or Rebase.

  • Merge Actions use Stashed Actions to react to another Action out of Turn with +1.
    • Can react to other Merge Actions, resolving in the order they were made, each subsequent Merge Action receiving an additional +1.
    • Can react to Time Actions, but not resolving until the beginning of the new Timeline, and are lost if the original Timeline is preserved.
    • Can react to Rebase Actions, but only after all active Rebase Actions are resolved (otherwise it would get way too messy...).

  • Rebase Actions use Stashed Actions to interrupt Actions with +1.
    • Can interrupt other Rebase Actions, receiving an additional +1 for each number of Actions being interrupted.
    • If a Rebase Action is successfully interrupted by another Rebase Action, it is lost.
    • Can interrupt Time Actions, preserving the original Timeline or creating a different new Timeline based on how the Rebase Action alters the original Timeline.
    • Can interrupt Merge Actions.


Flow of Time Action!!!
The Game Design Pattern explanation above is a better reference, but given that this is all about time, I thought it might be easier to understand at first if presented linearly.

Each sequence of continuous Actions or Turns over the course of a Round comprises a Timeline. While new Timelines reset the Round (prohibiting Time Actions further back), the character Turn order proceeds as normal.

Time Actions allow characters to create a new Timeline branching off of any Action within the Round, taking a -X Penalty (whatever that means within the system) for each Turn backwards they're attempting to erase in the Timeline.

This could alternatively use a points system to buy Time Actions rather than inducing a penalty. Or Time Actions could be tied to a specific stat or unique resolution mechanic, but I prefer the idea to just tie it to the Action itself, or a points system.

If the Time Action is successful, the character may choose to accept the new Timeline, reset the Round, and gain +X to their next (non-Time) Action, where X is the number of Turns erased by the new Timeline.

Attempting a Time Action from further back in the Timeline, where more Turns would be negated, involves a greater penalty or cost. However, if successful, it can not only turn the tides after a particularly bad Round, but can also provide a proportionately large benefit on the next (non-Time) Action.
So there's a risk/reward system involved that also reflects the natural advantage one might imagine having by successfully rewriting the Timeline in their favor.

Or, they revert to the original Timeline (in effect forfeiting their turn, but gaining +1 to their next Action or receiving a Time Action point if taking that approach).

If the Time Action failed against an opposing character, they also may choose to accept the new Timeline.

For systems with degrees of success especially, or where unexpected complications might arise, the option to reject a new Timeline, or to accept a new Timeline as the opposition even if it erases your previous Action, may be a beneficial decision.

Saturday, May 20, 2023

Anima Concept Crafting: Pokemon-like TTRPG Game Design Pattern by way of Animism

Following up on my "Animism Appendix N" for my still unnamed "Pariah by way of Maximum Recursion Depth" setting (although the setting might be running away from that a bit...), this is a game design pattern using Concept Crafting for Anima, the spirits of things, from an Animist perspective. I'm still deciding whether / how the setting will be some combination of modern, the imprecise state between paleo/neolithic, or post post apocalyptic, so this is written in a setting neutral manner, but all of it assumes a dream-like, surreal, psychedelic, Weird World.

Appendix N aside, it's also inspired by Shaman King (almost too literally...), Pokemon, Megaman Battle Network, the Dane Komljen movie Afterwater, and the Rolando Klein movie Chac: Dios de la Lluvia.

In Worldbuilding with Pokemon I actually tapped into this idea quite a while ago, I even specifically make the Shaman King and MMBN connections and the connection of Pokemon as like nature spirits, but this takes it in a more specifically Animist direction, which works even better.

As mentioned in that post as well, my old micro-settings I-Cons, Monsters and Madmen, and maybe even Stonepunk Adventures (as Enziramire keeps reminding me!), may be influencing this setting as well.

This setting, and by extension this Anima Concept Crafting system, reflects ideas I'd had well before I really had any meaningful understanding of Animism. It's really cool how we can converge on all of these big ideas from multiple directions, and also how each brings some new facet, or makes certain aspects more salient.

Shaman King. Never finished this manga when I was younger but it deeply influenced me. The recent anime on Netflix was just ok. I suspect the manga is better, but also that it's probably not quite as good as I remember it either. One could argue there's dicey stuff around cultural representation and appropriation, but I think it was coming from a good place.


Some previous Concept Crafting posts


Anima and The Dreaming
NOTE: None of this has been playtested, and I'm sure much of the terminology and other particulars will change over time or be adapted for the setting as I build it out.

There is a will in all things, the Anima. A rock, lake, animal, person, idea, celestial body, divine being; all of these things have Anima. The Dreaming are curious, they ponder the universe; they see the beauty in the interconnectedness of things, and in understanding the nature of these interconnected systems. Most people acknowledge the Anima, and perhaps 10% of the population are among the Dreaming, developing Relationships with Anima and Manifesting as a way of life. The only thing separating the Dreaming from the rest, is the willingness to Manifest.

When a Dreamer develops a Relationship with or Manifests an Anima, they are not expressing dominance or ownership over the material origin of the Anima. Manifesting requires understanding, a submission to the will of the Anima; at its worst, a kind of para-social relationship. Even so, given the interconnectedness of things, the Manifestation of Anima can materially effect its origin; there is a balance of power, a dance or ongoing conversation, between the Dreamer and the Anima they Manifest, and also to its material origin. Every time an Anima is Manifested, its true nature changes, even if just a little bit.

Anima
Anima are composed of WORDs, the number of words corresponding to their level. The power of Anima scale geometrically by level at base 2, i.e. a level 1 Anima has a power of 2, level 2 has a power of 4, level 3 has a power of 8, and level 4 has a power of 16; however, these numbers don't effect rolls, it's merely conceptual.

Level 1 Anima (Power 2)
One WORD. Trivial or circumstantial, may be Manifested at no cost and don't require an ongoing Relationship. Manifesting the flavor of a MEAL, the number of skips of a ROCK tossed against a body of water, the LUCK of the draw.

Level 2 Anima (Power 4)
Two WORDs. Manifested through some object of personal importance or utility like a staff (STRENGTH+SUPPORT), pair of glasses (SALIENCE+GLASS), fetish/token (LUCK+FOCUS), utility knife (UTILITY+KNIFE), etc. 
They may be used freely, and are integrated into daily life. 
There is no limit on the number of level 2 Anima Relationships, but they must be Manifested in some meaningful way at least once every three sessions or else the Relationship is Broken (if the Player can't remember, they're Broken, so keep track!).

Level 3 Anima (Power 8)
Three WORDs. Manifested through spiritual communion with a superorganism, a collective consciousness representing one or more other Anima as an Anima in itself. A lake (LOVE+WONDER+TRANSIENCE), apex predator (HUNT+FEED+BALANCE), or venerated ancestor (DEEP+TIME+GIANT)
Level 3 Anima may be Manifested with the passing of seasons (i.e. once per season). Usually, they require some sacrifice, appeasement, or quest. 
There is no limit on the number of level 3 Anima Relationships, but after Manifesting any one level 3 Anima, all other level 3 Anima Relationships are Broken.

Level 4 Anima (Power 16)
Four WORDs. As with Level 3, these are superorganisms Manifested through spiritual communion, but also requiring greater material cost; the attainment of many rare commodities, the recruitment of true believers or a greater number of paid workers or an even greater number of those servicing under the threat of violence. Freedom (INFINITY+CHAOS+IMAGINATION+UNKNOWN), Economy (MONEY+TRADE+ENCRYPTION+VALUE), Community (PEOPLE+SOUL+SELF+OTHER)
Level 4 Anima may be Manifested as one crosses forks in the roads of life (perhaps once a decade, or reflecting some major life transition). 
A Dreamer may have only one level 4 Anima Relationship at any one time.

Although the material origin of an Anima influences its level, ultimately the level is determined by the Relationship between the Dreamer and the Anima. It is possible to have a low-level Anima with a profound material origin if the Relationship is trivial or para-social, and likewise it is possible to have a high-level Anima with a simple material origin, if the Relationship runs deeply enough.

Megaman Battle Network, a more scifi/modern take on the idea, no less valid. Megaman Star Force didn't hit the same tho.


Anima Concept Crafting
While not the exclusive means of building Anima Relationships, Concept Crafting may be used to create Anima.

Anima Crafting
Any two Anima of the same level may be combined into an Anima of the same or one higher level by taking at least one WORD from each Anima, and for creating level 3 Anima or higher, at least one new WORD inspired by the context or by the interconnectedness of the two component Anima.
Crafting a level 2 Anima may require a day or a few days, level 3 Anima a moderate quest, and level 4 a paradigm-shifting, life-changing adventure.

Anima Mutation
Given the interconnectedness of things, any time an Anima is Manifested, its very nature is subtly changed. Likewise, if the material origin of the Anima is itself changed, depending on the degree of change or how aware the Dreamer is of the change, this may also cause Mutation. Manifesting two Anima within temporal proximity frequently, or any Anima Manifested under some extreme or traumatic context, is likely to Mutate. 
This merely involves replacing one (or more) WORDs of the Anima with one from or inspired by the other Anima, or the context.

Examples
"What Would Taylor Swift Do" Charm (DISTANCE+LOVE): Manifests an Anima of Taylor Swift, whose wisdom is based on the para-social relationship between the Dreamer and Taylor Swift. While the real Taylor Swift would not acknowledge the Relationship, often her actions will align (or notably fail to align) with the nature of the Anima.

Anaglyph 3D Glasses (DIMENSION+PERSPECTIVE): Red and Cyan anaglyph 3D glasses that when Manifested allow one to frequency-modulate into the Positive and Negative Planes. Each lens has a different flavor of Anima, one more manic, and one more depressive.

Twin Mask of Play and Win (PLAY+WIN): A mask of two faces merged together, one of the iconoclastic spirit of Play (dolphin face), and the other the disciplined spirit of Win (dragon face). Manifests as suggestions like the Devil and Angel over the shoulder.

Serenity Plugs (SERENITY+NOTHING): Waxen earplugs Manifesting an Anima like the shadow of sound. An inner peace deriving from the absence of sound and a willingness to absolve oneself of willful action.

Cancer Carapace (ABOMINATION+INEVITABILITY): Carapace armor crafted from a large aquatic arthropod. Manifests as the mutant monster Cancer, an Anima of a pitiable abomination. Empowered by acts of humility and love in the face of perceived evil.

Forgiveness Bow (ACCURACY+REGRET): A bow that will always hit its mark, but its mark is driven by the unconscious of the wielder. The bow Manifests as a time Anima, a frozen moment infinitely trapped between being an non-being.

Dragon Quest Monsters. Watabou, that little fuzzy blue guy, is actually plant-type, and if I remember correctly, one of the hardest monsters to get, one of the most powerful, and was strongly implied to be some kind of eldritch god, and I love that for him. Dragon Quest Monsters is Pokemon by way of Akira Toriyama (creator of Dragon Ball), with a really interesting monster breeding (in later games fusion) system, and it was awesome, I really loved these games when I was younger.

Summary
Probably unconsciously inspired by Shaman King long before I made the conscious connection, but also my general love of the collecting and generative/crafting aspects of Pokemon-likes (even more emblematically, Dragon Quest Monsters), and of settings where humans have personal relationships with "magical" beings (including Megaman Battle Network in this), it seemed logical to me to combine the Pokemon-like gameplay loop with Animism.

I like this philosophically as well, in that while one could choose to simply treat it as a re-flavored Pokemon-like if one so chose, because of the nature of Relationships and Manifesting, there is an intentional emphasis on this system as not one of ownership and conquest, but of intra- and inter-personal examination, which is obviously my jam.

Pokemon-likes in TTRPGs tend to struggle because of the multiplicative complexity it imposes on other gameplay mechanics, or even in rules-light form, it's just a lot for any Player or GM to keep track of.

Given the soft-limitations on Anima, that any level 2 Anima must be Manifested at least once every three sessions, that Manifesting any level 3 Anima Breaks the Relationships with all other level 3 Anima, the way acquiring Anima generally involves some kind of quest, I'm hoping it will lend itself naturally to a certain balance, but it will likely need to be tweaked during playtesting.

I allude to the philosophical aspects of Animism more in the Appendix N, and in future posts I'll discuss the setting and by extension philosophy in more detail, but this post is focused on this Anima Concept Crafting game design pattern.

Considerations
1. I've intentionally chosen not to use the word Shaman, or Druid for that matter. I had originally wanted to call the "Dreamers" the Wisdom, but since I use Wisdom as an Ability Score in MRD I wasn't sure I wanted to commit to that term. Dreams tend to hold a lot of significance in Animism and other kinds of spiritualism, but I dunno for some reason it feels maybe too generic or too corny, I'm just not sure how I feel about it.

2. I'm very comfortable with Concept Crafting and the abstractness of the Anima as presented here, and also in calling them Anima, but I'm not sure if I'm overly limiting myself with the levels of Anima and some of the constraints in terms of the gameplay loop.


Also, you know I intentionally chose not to include a Pokemon image in a post where I specifically call it a Pokemon-like because that is how I roll.